Naggarchi playing drum keeping the old tradition

On auspicious occasions the royal priest would first carry out proper worship of the drum before it was played. On each occasion the notes used were different to mark the appropriate occasion . Due to circumstances after independence, the beating of the drum had stopped in the Nakkar Khana ki Chatri. However, the present Custodi an and Chairman and Managing Trustee Shriji Arvind Singh Mewar, has taken an interest in restoring and preserving the old traditions and specifically the reuse of Nakkar Khana Ki Chatri to announce time at three different Pahar (times) morning,noon and evening) every day is remarkable.


Nakkar Khana Ki Chatri after restoration work

He remembers that in the earlier times, they used to beat drums three times a day at the Nakkar khana Ki Chhatri and also when the Maharana used to lead the procession during the festival of Gangaur. Restoration and conservation of Nakkar Khana Ki Chatri was completed in 2007. The project was submitted for the Subject: 2008 UNESCO.

Asia-Pacific Heritage Awards.

An extract from the letter from Sheldon Shaeffer, Director, UNESCO Bangkok, Asia and Pacific Regional Bureau for Education. As almost all of the entries were technically excellent, the competition this year was very difficult.

Though your project, Udaipur City Palace Complex, Udaipur, Rajasthan, India, was not selected for one of the announced prizes, the Jury noted that the project reflects a noteworthy commitment to conserving the heritage resources of the region, and reflects the increasing momentum and standards of conservation throughout Asia and the Pacific.

The Jury would like to share their comments on your entry, as follows: "The Jury would like to recognize the efforts in conserving the historic drum tower which is part of the significant palace complex, Th e restoration has employed appropriate traditional building technologies and processes. The high visibility of the drum tower to the front of the complex sends an encouraging signal for future restoration works. Since the project plans to address larger scale works within the complex in the future, the Jury encourages the project to be re-submitted later upon completion of more comprehensive physical conservation works. Moreover, in any future repair or restoration works, the Jury encourages greater affection to detail in ensuring that modern workmanship matches the historic fabric."

Ghadiyal Ki Chatri

In 1559 CE Maharana Udai Singh II had started the construction of the City Palace, Udaipur having established his new capital in Udaipur in 1553 CE.


Ghadiyal Ki Chatri before restoration work

Very little construction was carried out in the City Palace between 1572 to 1616, i.e. after the death of Maharana Udai Singh, as his son Maharana Pratap was too busy fighting the Mughal armies. Later during the reign of Maharana Amar Singh II (r.1698-1710 CE) it was felt necessary to erectthese two minarets likewatch-towers on eitherside of the Badi Pol.These are equal to about six storeys high of which about three storeys are made of random rubble masonry and the next two storeys are usable space, in octagonal shape open on all sides with stylistically cusped arches made of solid stone with ribbed foliated dome topped with golden spires (Kalash).

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