The Maharana of Mewar Charitable Foundation (MMCF)

MMCF

The Maharana of Mewar Charitable Foundation (MMCF), Udaipur was instituted to serve and assist each and every individual to realise a special status in the hierarchy of God's creation, and to serve as a temple of inspiration to future generations. The Foundation was founded upon principles of trusteeship, which are its underlying structure and strengt...

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Maharana of Mewar Charitable Foundation

Maharana Mewar Research Institute

Invaluable archival material is stored in the basement of the Maharana Mewar Research Institute and funds are being targeted for its long-term preservation. A plan is underway to modernise the interior of the Institute and have the archives catalogued and digitised.

The present custodian of the House of Mewar donated his historical collection to the institute. This is a significant resource for research scholars and academicians and some have even accessed these archives as prime material for their research work.

As part of the background research for the MMCF - Getty Project, about 250 maps and 15 sets of Bahidas (daily records of the Mewar rulers handwritten in Mewari language) in the Maharana Mewar Research Institute have been digitised, interpreted and studied in great detail.

Relevant historical texts narrating the historical development of the palace form were used to outline the major phases for the evolution of the The City Palace.

A few maps recording the changes made in the palace during the last century have been useful in revealing the history of repair and alteration up to the present day.

The maps and manuscripts also revealed the changes in the surrounding geographical context of the hills and the lake with time.

These maps and manuscripts are invaluable resources on the art, architecture, history, administration and culture of Mewar.

MAHARANA MEWAR SPECIAL LIBRARY

"To conserve and preserve our heritage is a challenge for those of us who wish to learn and meaningfully benefit from the past.......The Maharana Mewar Special Library at the City Palace, Udaipur, is yet another example of our long-term commitment and dedication to conserve and preserve our collective heritage."

- Shriji Arvind Singh Mewar of Udaipur, the 76th. custodian House of Mewar

The Maharana Mewar Special Library is a modern facility situated in the The City Palace which houses a unique collection of manuscripts and tamrapatras, paintings and illustrations, books, maps and almanacs, collected by several generations of the royal family of Mewar.

Discreetly positioned under the Tripoliya Gate and The City Palace Museum, it provides an ideal abode of tranquility and peace for the pursuit of serious learning.

Keeping with the needs and demands of the present day, the library has been professionally catalogued through extensive computerisation and accurate documentation using the latest library software.

To assist national and international scholars, students, and the general public, we have provided a comprehensive search facility which will enable one to access and acquire the contents online.

Conservation of the Catacombs and Adaptive Reuse
Conservation
Conservation Methodology and Materials

Conservation of the Catacombs and Adaptive Reuse as the Maharana Mewar Special Library (MMSL)

The Original

At the Original

The catacombs carved out on the eastern edge of the hill are the foundations of the Manak Chowk, the main grounds of the The City Palace. This sixteenth century subterraneous space served as an erstwhile store for horse and elephant fodder, and grain for humans from the sixteenth to the nineteenth century in times of siege on the earlier Mewar state.The catacomb structure is representative of the unique Rajput spatial planning of hill forts in this region. These catacombs were walled up for more than a century since the historic Mewar state had shrugged off sieges. The Maharana of Mewar Charitable Foundation, reopened these catacombs in 1996. The catacombs were found in a dilapidated state, filled with debris, damaged plaster on walls and ceilings and profuse seepage on the western end. The guiding principle for conservation work initiated by the Maharana of Mewar Charitable Foundation in 1998, was, two fold. Firstly, to restore the dilapidating historic structure and secondly, to provide an appropriate reuse with minimal intervention and, in harmony with the spatial ambiance of the catacombs.

Considerable technical ingenuity and aesthetic sensibility transformed these catacombs without altering the character of the historic space. It took two years of laborious conservation work and 200,000 USD to convert this 1216 square meters of space into the Maharana Mewar Special Library (MMSL).

The metamorphosis of the catacombs in the year 2000, into the state of the art library for special studies on Mewari culture was a commendable addition to the culturescape of Udaipur. The library with its discreet location acts as a central athenaeum in the complex.

The vision behind the project was “A World Unto Itself ”, an extraordinary space where the past meets the present, in order to contemplate the future. The ancient storehouse for the sustenance of body was transformed into a contemporary storehouse for the sustenance of the mind.

Its proposed reuse as the Maharana Mewar Special Library was envisaged as a modern facility that had to house a rare collection of about 30,000 manuscripts and tamrapatras (palm leaf manuscripts), paintings and illustrations, books, maps and almanacs, collected by several generations of the royal family of Mewar.

The objective of this endeavour was to create research opportunities for indian and foreign scholars of fine arts, social sciences, history, and architecture with a special focus on Mewar region in Rajasthan.

The Maharana of Mewar Charitable Foundation took the initiative of conserving these excavated catacombs in 1998 as severe flooding in 1997 lead to further seepage and caving in of the roof on the western end, thus posing a structural threat to these foundations of the palace grounds.

The first phase of the project to conserve 1216 square meters of the catacomb area was completed in a time period of two years and included:

Restoration Work – Excavation work, cleaning of debris, removal of existing defaced lime plaster, grouting and strengthening of the western walls, waterproofing work and restoration of lime plaster.

Adaptive Reuse of the Catacombs as Library – Civil work including introduction of steps at the cross passages, introduction of partition walls, placing openings on the eastern façade, introducing stone ducts for air circulation, electrical work, finishing work on walls and floor, installation of close circuit TV, furniture etc.

The second phase of the project is ongoing and it includes incorporating another 600 square meters of area in the Library across the catacombs as the Maharana Mewar Research Institute

Maharana Mewar Special Library (MMSL) - Conservation

The Original

At the Original

The traditional façade was retained with minor additions and the entrance to the library was defined by an additional flight of stairs. Inside though, the library is a remarkably contemporary space. The three long aisles offer enough storage and reading room space.

The multi-levels at which the aisles are situated and the short flight up to the room on the southern end, break the monotony of the length of the library and are also in tune with the general architecture of the The City Palace, constructed as it is on a hill and thereby, multi-layered.

Being partly underground, the catacombs did not get too much natural light, a good condition for the conservation of fragile documents and similar artefacts. At the same time the side along the open passage got enough light to accommodate a number of casual reading room users sitting at common tables.The existing space of the catacombs was reluctant to reveal itself.

The floor of each of the three aisles was about three to four feet higher as one moved in (with no existing steps), making them three distinct, parallel tunnels. One could only grasp the space in isolated, unconnected parts. The challenge lay in transcending the dichotomy between the whole and the parts.

At the onset, it was decided that the library would not follow the standard space allocation as dictated by functional library architecture.

The royal book collections were electric in character and embraced varied subject interests. By nature, they had a wholeness about them, which did not lend easily to partitioning. At the same time, the three aisles in their own massively overpowering manner invited portioning.

Three points formed the design solution to this paradox, which ultimately emerged. First, the creation of cross sections across the aisles shifted the focus away from the lengthy strait-jacket of the aisles, allowing for movement across and around the library space. Secondly, the naturally present multiple floor levels within the library, took the emphasis away from the monotony of the length with spatial shifts occurring every now and then. Finally, three tiled lines, one running along the skirting near the floor, another at eye-level, and the third along the top of the book racks, became a striking way to lead the viewer along and around the entire length and breadth of the library, winding in and out in the manner of a tape. Here the storage and reading areas were clinically not segregated but moved easily into each other.

Individual reading carrels for serious researchers with built-in shelves were accommodated along the 2.5 meters wide walls that separate the aisles.

The Library was designed to retain the primary structure – the three parallel aisles with over 6 meters high – and reinforce the visual romance of the space through a judicious combination of natural and artificial light and an articulation of surfaces through a subtle variation of materials. Soft, fluorescent lights were used to illuminate the reading areas and the floor.

Warm, incandescent light defined the length and height of the bays. The soffits, the archways create a dramatic confrontation between a human, individual, abstract search for knowledge and the institutional, solid character of the existing structure.

Conservation Methodology and Materials

The Original

At the Original

The initial restoration work of the catacombs was a mammoth task. The initial excavations began in 1996 with the opening of the catacombs. The catacombs had three parallel aisles and the inner two aisles were completely dark, badly damaged, filled with debris and full of bats. It was found that the innermost western wall in the last aisle was completely damp with profuse water seepage from the Palace grounds.The restoration work started in 1998 with the initial challenge being the application of efficient waterproofing techniques on the western wall and roof to stop the severe seepage from the palace grounds. Since the seepage problem was very crucial, hence the waterproofing experts had to resort to the usage of newer materials and techniques such as cement grouting that additionally provided structural enhancement. This was further topped by stone cladding of locally available grey coloured Kota stone (with high waterproofing quality).

The stonework further reinforced the waterproofing of the western walls. This work was carried by local stonemasons from Udaipur. The entire plaza on top that are the Palace grounds was repaved with new waterproofing using the existing traditional stones. After waterproofing was completed, the catacombs were ready for the transformation. The eastern façade of the catacombs was restored with traditional lime plaster, which was prepared and plastered by the traditional masons in Udaipur.

Additional elements on the eastern façade that includes the turrets used for air-cooling and the entrance platforms, were made in new materials i.e. brick and cement to accentuate the difference between the new and the old.The stone railings on the platform utilised the traditional building craft of stone carving in Udaipur to retain the aesthetic ambiance of the façade.

In the Interiors, to utilise the multilevel bays as library spaces, steps were introduced at the cross passages. These steps were laboriously chased onto the existing rock by local stonemasons. In some cases, where it was not possible to use original materials, alternative materials such as cement were used.

The new partition walls needed to define library spaces were made in bricks and cement. Besides the spatial layout, two significant challenges in the adaptive reuse of these catacombs were lighting and ventilation of these dark, dungeon like spaces. Some alterations were required since the interior spaces allowed no natural light to enter.

Openings were strategically inserted in the Media room and widened on the eastern façade in line with the cross passages thus allowing filtered light to reach the interiors. Further interior spaces were lit by artificial lighting. The new brick partition walls also allowed for chasing for fixing the electrical conduits in the walls.

The problem of ventilation and humidity control is also sensitively adapted in this difficult conversion. Modern means of cooling such as air-conditioning were avoided. Instead, stone ducts were concealed under the floor that remove the stale air from the interiors and fresh air is brought in through specially designed ducts (turrets on the eastern facade) near the doorways.

The system regulates four air changes per hour and the heat generated by the lighting absorbs any extra humidity. As far as the décor of the library is concerned, the overwhelming geometrical parallel bays set the tone for the interior design.

To set off the predominantly angular architectural elements that dominate the library interior, the reception and the book issue counter are marked by a curvilinear structure with a gentle wave in it. The contrasting new materials used further emphasise the traditional spatial characteristics of the structure.

The ceiling and arches that provide the exclusive spatial quality are further enhanced by wall finishes with a special formulation giving a smooth textural effect that retains the monolithic nature of the structure. The new elements that now populate space such as the furniture, the control counter, the light fixtures and the catalogue islands were specially fabricated from light materials so that the character of the monolithic spaces remains the predominant experience for the visitor.

This conservation initiative has proved that even utilitarian service areas in historic architecture can be beautifully restored and integrated to enhance the associative, historic and architectural significance of a historic site. The new Library exemplifies creative conservation of a historic structure for public usage.

The adaptive reuse of the catacombs as a Special Library on Mewari history and culture has given a new meaning to this historic space in Udaipur. It sets a benchmark for charitable conservation works by a non government organisation to serve the local community as well as national and international researchers.

Publications

Shree Ganeshji

Price (INR) : 30
Rana Pratap

Price (INR) : 40
Shriji Arvind Singh Mewar of Udaipur(Poet Raghunath Kantha)

Price (INR) : 40
Shriji Arvind Singh Mewar –2 (R.K.)

Price (INR) : 40
Maharana Bhagwat Singh Mewar

Price (INR) : 40
Holi Festival - The City Palace Complex, Udaipur

Price (INR) : 40
Portrait of Maharana

Price (INR) : 200
Mewar Lithographs (Set of 6 post cards)

Price (INR) : 200

Shree Mewar Vijay Panchang (V.S. 2065)

Author : Pundit Chandra Shekhar Sharma

Year : 2008-09
Shree Mewar Vijay Panchang (V.S. 2064)

Author : Pundit Chandra Shekhar Sharma

Year : 2007-08
Shree Mewar Vijay Panchang (V.S. 2063)

Author : Pundit Chandra Shekhar Sharma

Year : 2006-07
Shree Mewar Vijay Panchang (V.S. 2062)

Author : Pundit Chandra Shekhar Sharma

Year : 2005-06
Shree Mewar Vijay Panchang (V.S. 2061)

Author : Pundit Bhojraj Dwivedi

Year : 2004-05
Shree Mewar Vijay Panchang (V.S. 2060)

Author : Pundit Bhojraj Dwivedi

Year : 2003-04
Shree Mewar Vijay Panchang (V.S. 2059)

Author : Pundit Sudhakar Sharma

Year : 2002-03

Celebrating 50 years of a Living Institution

The book contains story of continuous development at MMCF from Foundation Ceremony of MMCF in 1969; 1st MMFAA held on 28th December 1980; establishments of Maharana Mewar Research Institute and Maharana Mewar Special Library; Eternal Mewar Festivals; Exhibitions; Unveiling Ceremony of the statue of Maharana Pratap at Pratap Prangan, Maharana Pratap Airport, Dabok, Udaipur; Project with Ministry of Culture, Government of India; World Living Heritage Festivals; Restoration of Government Girls' Senior Secondary School building at Jagdish Chowk, Udaipur; Conservation Laboratory and many more.
Book Reviews
Download the Book
Long Exposure – The Camera at Udaipur, 1857-1957

Author: Pramod Kumar KG and Mrinalini Venkateswaran with contributions by S. Girikumar and Lauren Power

Price (INR): 1999

Year: 2014

Publisher: Marg Publications, Mumbai
Vastu Uddhardhorani

Author: Dr Shrikrishna Jugnu

Price (INR): 150

Year: 2008

Publisher: Chowkhamba Krishnadas Academy, Varanasi
In a World of Gods and Goddesses

Author: Indra Sharma

Price (INR): 3000

Year: 2001

Publisher: Mandala Publishnig
Court Painting In Rajasthan

Author: Andrew Topsfield

Price (INR): 1950

Year: 2000

Publisher: Marg Publications, Mumbai
Udaipur :The Fabled City of Romanace

Author: Rachna Shankar & Pankaj Rakesh

Price (INR): 295

Year: 1997
Mewar Ki Chitrakan Prampra

Author: R.K.Vasist

Price (INR): 300

Year: 1984

Publisher: Unic Traders, Jaipur

Conservation Master Plan

Overview Volume

MMCF, the foundation that takes care of The City Palace Museum made an application to the Getty Foundation in Los Angeles for a conservation plan for the site and was awarded a project planning grant of 75000 USD.

The exhaustive surveys and planning of this unique 400 years old historic monument took about two years.

Organisations such as the National Museum, New Delhi, UNESCO India, Birla Institute of Technology at Ranchi, TVB School of Habitat Studies (now part of Indraprashta University) at New Delhi and INTACH (Indian National Trust for Art and Cultural Heritage) Udaipur Chapter were involved in participatory workshops organised during the plan preparation.

The plan was prepared by DRONAH (Development and Research Organisation for Nature, Arts and Heritage) and its preparation involved a multidisciplinary team of professionals.

The overarching mission of the conservation master plan is to continue the tradition of custodianship, enhance cultural significance of the City Palace and integrate sustainability into decision-making at all levels.

The plan outlines a value based and process oriented approach, which aims to bring forth the indian perspective to the international conservation arena.

Vision and Policies

MMCF, the foundation that takes care of The City Palace Museum made an application to the Getty Foundation in Los Angeles for a conservation plan for the site and was awarded a project planning grant of 75000 USD.

The exhaustive surveys and planning of this unique 400 years old historic monument took about two years.

Organisations such as the National Museum, New Delhi, UNESCO India, Birla Institute of Technology at Ranchi, TVB School of Habitat Studies (now part of Indraprashta University) at New Delhi and INTACH (Indian National Trust for Art and Cultural Heritage) Udaipur Chapter were involved in participatory workshops organised during the plan preparation.

The plan was prepared by DRONAH (Development and Research Organisation for Nature, Arts and Heritage) and its preparation involved a multidisciplinary team of professionals.

The overarching mission of the conservation master plan is to continue the tradition of custodianship, enhance cultural significance of the City Palace and integrate sustainability into decision-making at all levels.

The plan outlines a value based and process oriented approach, which aims to bring forth the indian perspective to the international conservation arena.

Implementation

MMCF, the foundation that takes care of The City Palace Museum made an application to the Getty Foundation in Los Angeles for a conservation plan for the site and was awarded a project planning grant of 75000 USD.

The exhaustive surveys and planning of this unique 400 years old historic monument took about two years.

Organisations such as the National Museum, New Delhi, UNESCO India, Birla Institute of Technology at Ranchi, TVB School of Habitat Studies (now part of Indraprashta University) at New Delhi and INTACH (Indian National Trust for Art and Cultural Heritage) Udaipur Chapter were involved in participatory workshops organised during the plan preparation.

The plan was prepared by DRONAH (Development and Research Organisation for Nature, Arts and Heritage) and its preparation involved a multidisciplinary team of professionals.

The overarching mission of the conservation master plan is to continue the tradition of custodianship, enhance cultural significance of the City Palace and integrate sustainability into decision-making at all levels.

The plan outlines a value based and process oriented approach, which aims to bring forth the indian perspective to the international conservation arena.

Future Plans

Interpretation Plan

The proposed use of the site is based on the following primary objectives: As per the vision statement of the conservation master plan, the interpretation plan will communicate the tradition of custodianship to all the visitors, engage them in a joyous experience of the City Palace and integrate sustainability into the interpretive programs for various visitor types. The specific vision for interpretation can be aligned with the overall vision statement and can be reinstated as:

Future Plans

User Stratregy

The proposed use of the site is based on the following primary objectives:

The visitors will experience the City Palace as it was historically built and used - a single entity with additive layers from each era showing the architectural and social transformations of each era and its adaptive functioning as individual parts as well as a whole.
The museum planning will acknowledge the entire site as a museum with supporting functions. It will have a parallel focus on both the site as an architectural marvel and the collections supported by a robust interpretation plan.

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The Mewar Sound and Light Show

Price (INR): 100

To buy send your inquiry at museums@eternalmewar.in
Drive for ExcellenceSound and Light Show

Price (INR): 350

To buy send your inquiry at museums@eternalmewar.in
101 Moments Udaipur - a city unforgettable

Price (INR): 550

To buy send your inquiry at museums@eternalmewar.in

Rana Pratap

Price (INR): 40
Shriji Arvind Singh Mewar of Udaipur(Poet Raghunath Kantha)

Price (INR): 40
Shriji Arvind Singh Mewar of Udaipur – 2 (R.K.)

Price (INR): 40
Shree Ganeshji

Price (INR): 30
Maharana Bhagwat Singhji Mewar

Price (INR): 40
Holi Festival (Nobti ri Aswari)

Year: 2006

Price (INR): 40

MMCF

Maharana of Mewar Charitable Foundation

Maharana Mewar Research Institute

Maharana Mewar Research Institute

MAHARANA MEWAR SPECIAL LIBRARY

Conservation of the Catacombs and Adaptive Reuse as the Maharana Mewar Special Library (MMSL)

Maharana Mewar Special Library (MMSL) - Conservation

Conservation Methodology and Materials

Publications

Mewar Vanshiya Paramparik Avam Atyadhunik Sawariyen Vikram Samva: 2067-68

Mewar Ke Paramparik Pan Ke Beede Vikram Samva: 2066-67

Udaipur Rajmahal Ki Dyodia, Darwaje Avam Pol Vikram Samva: 2065-66

Mewar Rajgharane Ke Upyog Me Ane Wale Tamjam, Tathat Avam Myane Vikram Samva: 2064-65

Shriji Hujur Arvind Singh Ji Mewar Vikram Samva: 2061-62

Sisodia Vansh Ke Kuldevta Nav Grahpati Shri Surya Narayan Vikram Samva: 2060-61

Shiv May Samahit Shaktia Vikram Samva: 2059-60

Sisodia Vansh Kay Kuldevta Nav Grahpati Shri Surya Narayan Vikram Samva: 2058-59

Mewar Adhipati Parmeshwar Ji Maharaj Shri Eklingji Vikram Samva: 2057-58

Vansh Vriksh Vikram Samva: 2056-57

Mewar Maharanaao ki Mudraye Vikram Samva: 2055-56

Vikram Samva: 2053-54

Hinduva Surya Maharana Pratap Vikram Samva: 2053-54

Maharana Mewar Foundation Award Vikram Samva: 2052-53

Maharana Pratap ki Sena Me Haldighati yudh (1556-Es.) ke kuch Pramukh Yodha Vikram Samva: 2051-52

Mewar ke Tirth Dham Vikram Samva: 2050-51

Vansanukram:- Rawal Ari singh Se Maharana Vikramaditya Vikram Samva: 2049-50

Vansanukram:-Bappa Rawal Se Rawal Vijay Singh Vikram Samva: 2048-49

Mewar Ratna Vikram Samva: 2047-48

Mewar Ratna Vikram Samva: 2046-47

Udaipur Rajya Mewar ke Maharana(Maharana Udaisingh ji Se Shriji Hujur Arvind Singh ji Mewar Tak) Vikram Samva: 2045-46

Mewar Ka Rajya Chinha Vikram Samva: 2044-45

Mewar Ka Rajya Chinha Vikram Samva: 2043-44

Shree Ganeshji

Rana Pratap

Shriji Arvind Singh Mewar of Udaipur(Poet Raghunath Kantha)

Shriji Arvind Singh Mewar –2 (R.K.)

Maharana Bhagwat Singh Mewar

Holi Festival - The City Palace Complex, Udaipur

Portrait of Maharana

Mewar Lithographs (Set of 6 post cards)

Tod's Annals of Mewar

Shri Mewar Vijay Panchang

Mewar Darikhane Ke Riti Rewaj Av Sanskar

The Hero of Haldighati

Maharana Kumbha Ki Bhartiya Sangeet Ko Den

Rajasthani Sahitya Me Lok Devta Pabuji

Court Painting In Rajasthan

Pratap gad Rajya ka ethihas

Dungarpur Rajya ka ethihas

Hindupati Maharana Sanga

Rajasthani Lok Sahitya

Polo In India(A Tribute to Maharj Prem Singh)

Rajasthan Ke Vegyanic

Mandir Shri Ambamataji Udaipur

Meera - Jeevan Aur Kavya (Bhag-1)

Mewar : The World"s Longest Serving Dynasty

Meera - Jeevan Aur Kavya (Bhag-2)

Veer Shiromani Maharana Pratap

Banswara Rajya ka ethihas

Maharana Pratap Mahan Jivan Vruat Aur Krititav

Maharana

Maharana Pratap "The Hero of Haldighati

The Hero of Haldighati

Kaljayee Mewar

History of Mewar

Chandra Shekhar Mahimnna Strott

Anubhav Prakash

Chatur Vachnamrutt

Hardya Rahsiya

Shree Mewar Vijay Panchang (V.S. 2065)

Shree Mewar Vijay Panchang (V.S. 2064)

Shree Mewar Vijay Panchang (V.S. 2063)

Shree Mewar Vijay Panchang (V.S. 2062)

Shree Mewar Vijay Panchang (V.S. 2061)

Shree Mewar Vijay Panchang (V.S. 2060)

Shree Mewar Vijay Panchang (V.S. 2059)

Celebrating 50 years of a Living Institution

Long Exposure – The Camera at Udaipur, 1857-1957

Vastu Uddhardhorani

In a World of Gods and Goddesses

Mewar Vanshiya Paramparik Avam Atyadhunik Sawariyen
Vikram Samva: 2067-68

Mewar Ke Paramparik Pan Ke Beede
Vikram Samva: 2066-67

Udaipur Rajmahal Ki Dyodia, Darwaje Avam Pol
Vikram Samva: 2065-66

Mewar Rajgharane Ke Upyog Me Ane Wale Tamjam, Tathat Avam Myane
Vikram Samva: 2064-65

Shriji Hujur Arvind Singh Ji Mewar
Vikram Samva: 2061-62

Sisodia Vansh Ke Kuldevta Nav Grahpati Shri Surya Narayan
Vikram Samva: 2060-61

Shiv May Samahit Shaktia
Vikram Samva: 2059-60

Sisodia Vansh Kay Kuldevta Nav Grahpati Shri Surya Narayan
Vikram Samva: 2058-59

Mewar Adhipati Parmeshwar Ji Maharaj Shri Eklingji
Vikram Samva: 2057-58

Vansh Vriksh
Vikram Samva: 2056-57

Mewar Maharanaao ki Mudraye
Vikram Samva: 2055-56

Hinduva Surya Maharana Pratap
Vikram Samva: 2053-54

Maharana Mewar Foundation Award
Vikram Samva: 2052-53

Maharana Pratap ki Sena Me Haldighati yudh (1556-Es.) ke kuch Pramukh Yodha
Vikram Samva: 2051-52

Mewar ke Tirth Dham
Vikram Samva: 2050-51

Vansanukram:- Rawal Ari singh Se Maharana Vikramaditya
Vikram Samva: 2049-50

Vansanukram:-Bappa Rawal Se Rawal Vijay Singh
Vikram Samva: 2048-49

Mewar Ratna
Vikram Samva: 2047-48

Mewar Ratna
Vikram Samva: 2046-47

Udaipur Rajya Mewar ke Maharana(Maharana Udaisingh ji Se Shriji Hujur Arvind Singh ji Mewar Tak)
Vikram Samva: 2045-46

Mewar Ka Rajya Chinha
Vikram Samva: 2044-45

Mewar Ka Rajya Chinha
Vikram Samva: 2043-44